The Sa'di Tombs
 
  
previous   next page  contents 
  
{312}  Saturday 19 Dec: 1829
back to previous page

The first drops of rain since our arrival in Morocco fell this morning about 8½.  This shower lasted but a few minutes & the day though not bright became agreeable, sufficiently warm & very favourable for the excursion we made at 1 pm to the Town & thence to the Garden of Semelalia formerly gifted by the Sultan to the clever Spaniard Badia,(26) styling himself Ali Bey. We returned from our promenade about 4 in the afternoon having been much gratified by our excursion.
 

Notes
{312} Then describe what we saw in general terms - the dirt - the trades - the antient art - the melancholy ruin of antique taste & spendour.    

{313} Measured in the small western division of our garden a noble & as I presume ancient white poplar of great height & found it at height of my chin from the ground 11 feet 11¼ inches in girdth. 

{312/2} In the evening having received a message from the Sultan that, whenever I was disposed to enter upon that business with which I might be commissioned, Seedy Mohamed Ben Dris would receive me, I answered to the Minister by requesting him to name the earliest time convenient for himself tomorrow. His reply was brought me that he would receive me at 1pm.

At 10 this night fell a serious shower of rain.


The Ancient Fountain
The name of one of the fountains in Marocco most remarkable for its curious structure is called Shrob oo Shoof (Drink & Look) but this fountain which is said to be one of the most ancient in the city & to be an erection of one of the Princes of the Moluc Saideea {313/2} dynasty, is now so sadly decayed that Isaac Pinto, my informant, observes the name should now be changed to "do not look but drink" Shrob oo mat shoof

I have a strong suspicion that this fountain is that beautiful ruin in one of the main streets over and around which the exquisite carvings on wood attracted the attention & admiration of myself & friends on passing it as to be much noticed by the people & our interest in the monument was reported (as a matter of course of dull European folly or trifling) to Mulai Abderahman. I frequently observed to the people round me that these remains of fine art did great honour to their ancestors and noticed [??] that I hoped (but it was without hope) the Sultan would preserve this and other monuments of noble antiquity from further decay adding that if placed in such a conspicuous situation in the Capital of England this fountain would be an object not of individual merely but of national regard, would be renovated & taken care of accordingly. I expressed an anxious desire to have a drawing of it made by Mr Smith but cold water was ever dropped on this & like proposals.


The Sa'di Tombs
{312a} I have received the following curious information from my interpreter who had it from --(27) Amguishet [sic] (the Kleefa of my conductor Seedy Mohamed ben Abdelmalek) a man about 35 years old whose late father was for some years Governor of Tangier. 

{347} Mulai Solyman destroyed all ye effigies carved over the tombs of the Kings in the cemetery at Marocco called Mdarsah d'el Moheeah, or College of the Jammaa Moheea, within the mosque, as I understand. There are also interred within it many Princes of the Moluc Saidea dynasty, & others have been buried in the same place down to so late a time as the death of the Sultan Mulai el Yazeed who is entombed there. 


The Sa'di Tombs today

  
Main courtyard                Tomb tops in open  Interior of tombs

More on the Sa'di tombs



The effigies appear to have been busts with one or both arms exhibited as the case required, and were symbolic of the Prince's character. A liberal man was figured with an open hand - a warrior as about to draw his sword - a penurious man with his hand drawn close to his body and shut or clenched. Mulai el Yazeed as both a warrior & liberal was exhibited with one hand open & the other about to draw his sword. An old man was exhibited with a white, the young man with a black beard. 

{351} Mulai Soleyman anxious to appear a devout Messlem was, or pretended to be, much offended by these carved & painted figures as being contrary to the (modern) interpretations of their Law. He therefore consulted with his pious & learned Talebs expressing his doubts of the propriety of allowing these monuments to exist in that state, notwithstanding their antiquity & demanded their opinion whether they ought not to be destroyed. 

The pious, the learned, the devout & faithful counsellors sensible of the importance of seconding the religious scruples of the monarch decided for the demolition of the symbols that were doubtless in many instances of an antiquity unknown to them & had been objects of veneration in their ancestors from time long out of Moorish mind & had been imitated by the Sultan's recent predecessor in the tomb of M. el Yazeed! 

previous   next page  contents 
  

26.  Semelalia was planted by Muhammad III with fruit trees had its own irigation supply and was walled. See Ali Bey Viajes Por Marruecos (ed Salvador Barbera) (Madrid: Editora Nacional, 1984), 290-293.

27. EDH's blank.